MESPIL IN THE DARK
LIFE WAS SUSPENDED IN THE MESPIL. BUT UNDERNEATH, IN THE DARKNESS, SOMETHING WAS COMING TO PASS.
Pan Pan presents MESPIL IN THE DARK starring Andrew Bennett, Aidan Gillen, Olwen Fouéré and Ned Dennehy.
MESPIL IN THE DARK explores the lives of eight actors and artists who live in the same complex of flats in Dublin. We will follow the solo rat runs of each of their normal days and how they tread in and out of each other’s lives. We will observe their daily habits, both private and public. From trimming their toenails to cooking a meal to how they do their laundry. We will hear about their dreams and nightmares and experience with them their hopes and fears and the small coincidental accidents that shape their destinies.
It is a sensitive, sometimes surreal, voyeuristic experience. We watch these individuals who lead lives of quiet desperation just about staving off failure and making a living.
Does the flat complex and its community of residents offset loneliness or can living in close proximity with many people become intrusive? Do the residents support one another – or is there an illusion of support which simply serves to maintain social diplomacy? Will these eccentric characters living in this bohemian oasis in the middle of a modern city be able to continue to live there?
Screenplay: Eugene O'Brien
Director: Gavin Quinn
Production Design: Aedín Cosgrove
Director of Photography and Editor: Ros Kavanagh
Consultant Editor: Naomi Geraghty
Composition / Sound Designer / Editor: Jimmy Eadie
Producer: Emma Coen
Assistant Directors: Grace Morgan & Clare Howe
Camera Assistant: Ronan Nissenbaum
Sound Engingeer: Leon Henry
Executive Producer: Tríona Ní Dhuibhir
Cast: Andrew Bennett, Ned Dennehy, Olwen Fouéré, Aidan Gillen, Rian Murphy, Tadhg Murphy, Robert O’Mahoney, Anna Sheils-McNamee, Ahmed Karim Tamu, Ashley Xie
MESPIL IN THE DARK was originally presented as a four part series as part of Brightening Air | Coiscéim Coiligh, a nationwide, ten day season of arts experiences brought to you by the Arts Council. To see the full Brightening Air | Coiscéim Coiligh programme, visit www.brighteningair.com
MESPIL IN THE DARK was supported by the Arts Council and Dublin City Council.
Past Screenings & Selections
St. Patrick’s & St. Bridget’s Festival London, 17 March, 2024
OFFline Film Festival, 14th October, 2023
12th Dublin International Short Film and Music Festival (Episode 5), 6th October, 2023
Portland Festival of Cinema, Animation and Technology (Episode 5), 3rd August 2023
WINNER: Best Actor in a Dramatic Short, Aidan Gillen
SILVER AWARD: Best Dramatic Short
Fastnet Film Festival (Episode 5), 24 - 28th May 2023
Philadelphia Independent Film Festival (Episode 5), May 19th 2023
Philadelphia Independent Film Festival (Episode 1 in 360), May 18th 2023
Hollywood Shortsfest (Episode 5), December 2022: Best Short
Bridges International Film Festival (Episode 1 in 360), November 2022: Official Selection
Montreal Independent Film Festival (Episode 5), November 2022: Best Narrative Short
Independent Shorts Awards (Episode 5), October 2022: Best Drama Short
Brightening Air Festival (Episodes 1 - 4), 16 - 20 June 2021
Episode 1: Dinner for One
Aidan, an actor, lives alone and is preparing a solo birthday meal for one but is missing Galangal, a vital ingredient for his duck dish. Aidan Is distracted on his quest by a voice over job and various encounters with his neighbours including Shiela who wants a French lesson and Chinese girl Ashley who smells death in the corridor and asks him to read her film script. In return he finally obtains some galangal and cooks and eats his meal. He has a vision of himself dead in his armchair.
Episode 1: Dinner for One (360)
In this 360 version of Episode 1 of Dinner for One, the viewer is in control. Using your mouse, click and drag to move the camera around. If you are watching on a smartphone, simply move your phone to change your perspective.
Episode 2: Pentacle
Shiela dressed like Miss Haversham goes out to her corporate gig leaving surf loving Turlough to mind their infant son. He attempts a self tape and tries to masturbate but falls asleep. Shiela returns late at night and wants to do a tarot reading. As the reading develops the cracks and mistrust in their relationship emerge. Turlough’s mother has Alzheimers and Shiela is anxious he makes sure she leaves him money as she doesn’t trust that Turlough will be able to provide. They have never felt so far apart. Their little son sleeps in his cot.
Episode 3: Font
Frances Flood, holds forth in his very up market apartment about all things concerning Irish Architecture and how he Francis was never given the credit he deserved. It’s like he is giving some kind of lecture to an invisible audience. He drinks glasses of Champagne and rants against a rival Jerome Fitzsimons who castrated him and made him a eunuch in the harem of Irish architecture. Interrupted by neighbour Turlough, Frances quizzes him about his missing eye and loses all reason causing Turlough to leave. Frances is left alone.
Episode 4: Lans
Lans, a pharmacy student from Sierra Leone, wakes to play his trumpet and composes a hip hop track ‘tears in my porridge’ about a girl who just broke up with him. His neighbour, Olive, visits him and talks of Voodoo in his country and her dead son but she gets too personal when mentioning to Lans that his parents have never visited him. He asks her to leave and tries to call his parents but they don’t answer. He is clearly feeling lonely and let down by them. In a dream, Olive urges him to get mad and express his anger. He does so and himself and Olive sit on his bed playing a trumpet.
Episode 5: Mespil in the Dark
Aidan Gillen stars as Anthony Patterson. He packs away his belongings in boxes including the only novel he ever wrote which he is sending to his son. He has a list of jobs to complete. He is methodical. He is calm, clinical, going about the business of a man preparing to leave the world. A man who seems relieved to have made the decision. But the most painful thing will be a last zoom call with his son.
Episode 6: Coup de Théâtre
Olive, a sex worker of the mystical kind, wears a Sumerian mask to dance for a client. She is upset as her son will not accept who she is. She visits her neighbour Bill, an actor, who rails against what has become of his profession. Together they must find a way to let go of the anger they are feeling. They do this by touch, screaming and laughing their way into some kind of peace. Then they drink Kefir milk.